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The Derivative is a bi-annual online publication launched in October 2020, in the midst of unprecedented political, social, economic, and environmental collapse in Lebanon. It is an attempt at building collective vocabularies, registers, and practices able to account for and run against the systemic onslaught we are faced with.

The Derivative is a student of the uprising of Oct 17, 2019; it is first and foremost a rhizomatic object around which to mobilize a diversity of praxes. Experimenting with collective editorial models, each issue is above all an excuse to think and make together and a way to expand and strengthen networks of friends and allies through divergent modes of address, thought, and action.

Every issue of The Derivative starts with three guest editors, each assigned a theme in the form of a three-letter root word (جذر) in Arabic. Each editor then collaborates with five contributors to help unfold the various facets of each theme, as well as an artist contribution responding to each text.

lori

Disquiet (ق.ل.ق)

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Unraveling: Act I (SCENE BREAKDOWN) [BLACK SCREEN: VOICE-OVER] I don’t question the originality of the invitation’s conceit and the thrill of being invited to contribute; however, when the email from Ahmad and Haig assigning the word “qalaq” to my contribution arrived, I nearly screamed with rage. It landed in my inbox during the Second Confinement […]

Rubble (ر.د.م)

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Backfilling (Radm) as a Process of Rewriting History [Burying – backfilling – obliterating – erasing – blinding – silencing] A farmer once recounted to  me that the word “kfar”, found in the names of many villages (such as KfarKila, KfarNabrakh, and others), stems from the belief that the act of planting seeds is blasphemous (kufr): when the […]

Beast (و.ح.ش)

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“How well can we ever know people who have lived through civil wars? How much can we ever really know about the violence and destruction, the losses, the devastation? The overpowering fear they must feel every day? Can we ever really understand how they are transformed, which things change inside them, and which things harden? […]

A Vicious Viscous Matter Seeping into the Souls of a Ravaged City

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It is said that one’s self-image differs from the view of others. It is also said that the further reality strays from an ideal, the more the likelihood of an existential crisis intensifies and the blurrier one’s self-image becomes. The monster within awakes as the self dissociates from the lived reality. Unable to live in […]

Can Disaster Be Made Legible? A Conversation with Forensic Architecture’s Samaneh Moafi

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On August 4, 2020, Beirut’s central neighborhoods were obliterated off the map following the detonation of some of the 2,750 tons of ammonium nitrate that had been stored at a port warehouse. Within a two-minute timeframe, two hundred lives were lost, seven thousand individuals sustained mild to life-threatening injuries, and over three hundred thousand were […]

Number, Price, and Knowledge

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           A century and a half ago, Ahmad Faris al-Shidyaq reminded us that Arabic words were formed according to a system of derivation and paronymy. Words decline into other words, all emanating from a root with which they share a conceptual connection. To think about words in this way is to incessantly map out the web […]

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DISCLAIMER

The editors have made every effort to contact all copyright holders of the images used in this publication. If you claim copyright of any of the images presented here and have not been properly identified, please contact the editors with sufficient proof that you are the copyright holder. They will update the publication with a formal acknowledgment of your copyright.

MANAGING EDITOR

Haig Aivazian

MANAGING EDITOR FOR ISSUES 01 02

Ahmad Ghossein

Resident Editor

Lori Kharpoutlian

Arabic Editor

Rida Hariri

VISUAL CONCEPT AND DESIGN

Studio Zumra

WEB DEVELOPMENT

Jazilan

FONTS

29LT Azer by 29Letters and WorkSans by Wei Huang

Publisher

Beirut-Art-center_Logo_Final-white

beirutartcenter.org

© 2020–2026 The Derivative • المشتق. All Rights Reserved. Beirut Art Center Association.