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The Derivative is a bi-annual online publication launched in October 2020, in the midst of unprecedented political, social, economic, and environmental collapse in Lebanon. It is an attempt at building collective vocabularies, registers, and practices able to account for and run against the systemic onslaught we are faced with.

The Derivative is a student of the uprising of Oct 17, 2019; it is first and foremost a rhizomatic object around which to mobilize a diversity of praxes. Experimenting with collective editorial models, each issue is above all an excuse to think and make together and a way to expand and strengthen networks of friends and allies through divergent modes of address, thought, and action.

Every issue of The Derivative starts with three guest editors, each assigned a theme in the form of a three-letter root word (جذر) in Arabic. Each editor then collaborates with five contributors to help unfold the various facets of each theme, as well as an artist contribution responding to each text.

lori

Punctuating Anxiety

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First off, an admission: The process of writing this has, like most writing, spawned its own little qalaq storm. Least of all because, as I reflect on the topic of anxiety, I cannot help but anxiously wonder whether there is any point to writing on historical cultural anxiety at a moment when the present itself […]

Separation

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clubhouse Julian Christopher pinged you:                                                                   3m ago You should join this room. I am talking with Chora Nerval, Gerard Labrunie, and 6 others about “Techniques for Eliminating Breath from Talk Radio” I am dead, dear listener. This is not a recording. This is not a metaphor. This is not a lie. I am dead, […]

Understanding the Void of a Historical Pit

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Though we may disagree on the causes, extent, and means of liberating ourselves from the injustice we are living in Lebanon, the fact that this injustice exists remains undeniably true. This is not to say, however, that we necessarily comprehend its inner workings and how it oppresses our ability to think and act. Since the […]

Qalaq

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By the time this piece of writing is ready for submission, London, where I reside, will hopefully be slowly dragging itself out of a year of endless restrictions and lockdowns, with the promise of the UK’s ambitious vaccination program and Boris Johnson’s grandiloquent determination to follow his ‘roadmap to freedom’. We sit in the post-Brexit mess, […]

A Voice Crying in the Wilderness – For Tarek El-Ariss

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Farther from the Desolation of the Wilderness No one knows of whom Isaiah spoke in his prophecy. Isaiah said that it was coming, that voice crying in the wilderness, “Prepare ye the way of the Lord. Make straight in the desert a highway for our God.” But Isaiah, like all of the Old Testament prophets, […]

Getting our Pants Hemmed (On Poiesis and Praxis)

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In the prologue to his book The Savage God: A Study of Suicide, British critic Al Alvarez, relays one of the conversations he had with Sylvia Plath about an early version of Lady Lazarus -written shortly before the poet took her own life in 1963.  “I was appalled,” he says about listening to her reading. “At first hearing, the […]

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DISCLAIMER

The editors have made every effort to contact all copyright holders of the images used in this publication. If you claim copyright of any of the images presented here and have not been properly identified, please contact the editors with sufficient proof that you are the copyright holder. They will update the publication with a formal acknowledgment of your copyright.

MANAGING EDITOR

Haig Aivazian

MANAGING EDITOR FOR ISSUES 01 02

Ahmad Ghossein

Resident Editor

Lori Kharpoutlian

Arabic Editor

Rida Hariri

VISUAL CONCEPT AND DESIGN

Studio Zumra

WEB DEVELOPMENT

Jazilan

FONTS

29LT Azer by 29Letters and WorkSans by Wei Huang

Publisher

Beirut-Art-center_Logo_Final-white

beirutartcenter.org

© 2020–2025 The Derivative • المشتق. All Rights Reserved. Beirut Art Center Association.